My work explores the moment when matter ceases to be inert and becomes presence, form appearing, hesitating, then fading.

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Through sculpture, I engage with instability: the fragile threshold between emergence and disappearance, between what seems permanent and what is inevitably altered by time.

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I work with forms drawn from art history, iconic figures, and indeterminate volumes, placing them in tension with processes of fracture, erosion, melting, or void. Matter is subjected to forces that destabilize it, as if it were carrying the memory of its own disappearance.

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Materials traditionally associated with durability : bronze, polished surfaces, monumental forms, are rendered vulnerable. Fragile or unstable matter is introduced, not as contrast, but as a condition.

 

Beauty is not treated as a fixed ideal, but as a transient state, always exposed, always at risk.

Sculpture is not conceived as an object, but as a moment: a point where form emerges, suspends itself, and begins to transform.

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My work does not narrate time. It makes its passage visible — silently, physically, through matter itself.